Category Archives: Auditions

Audition Etiquette: Do’s & Don’ts


How to execute the perfect audition? I’m sure this question has become exhausting to a lot of you, constantly being drilled with the correct way to go about the audition process. This is because without being awesome at auditioning, you will never be able to really show people how awesome you are at acting. So […]

How to execute the perfect audition? I’m sure this question has become exhausting to a lot of you, constantly being drilled with the correct way to go about the audition process. This is because without being awesome at auditioning, you will never be able to really show people how awesome you are at acting. So while it’s tedious and frustrating incessantly having it banged into your head like a broken record, it’s something that you will want to make sure you have down to a science.

This is why we’ve broken down the do’s and don’ts loud and clear, to make sure you know exactly how to kill it the next time you step into that audition room.

AMP Talent Group Audition Do's and Dont's Agent TipDO respond to all Agency Communication immediately. In this fast paced business, Actors must be on the ball with the best communication skills by responding quickly to confirm auditions, and all communication from the Agency.  Response times by the actor within the hour of an email or phone call being sent is required, not hours or days later.  Casting people are waiting to confirm or replace the actors for the auditions. Know there are many people involved in getting you the audition and timely response to auditions is key with respect to all and future auditions.

DO put your cell phone on silent. Vibrate won’t cut it, particularly if your leg starts shaking in the middle of your intense and dramatic monologue and it’s just your mom wondering if you’re going to be home for dinner or not.

DO be early for your audition. Ideally you will show up 20 minutes early, so you can sign-in, prepare yourself with whatever material you’re going to go off of, as well as ground yourself, relax, and de-sweat (if you were rushing) before going in for your audition.

DO be friendly and professional when you’re meeting everyone at the audition. Even though you’re promoting yourself as an actor, they will be more inclined to want to hire you if you show you are a respectable and professional human being.

Auditions Casting Dos and DontsDO turn up the charm before your audition begins. This is the time when you need to showcase your personality before you showcase your acting chops. Show them that you are ready, and would be a delight to work with, and not in an overbearing, front-row-of-the-classroom kind of way.

DO keep the conversation up-tempo and brief, letting the casting directors and people running the audition drive the conversation.

DO repeat the director or casting director’s name back to him or her when you’re introduced. It shows you’re listening to what they’re saying, instead of hammering out your audition strategy in your head like a nervous wreck while going through introductions.

DON’T shake anyone’s hand in the room unless they reach out to shake your hand first. You are just one of so many actors they have seen that day, you won’t make an impact by thrusting your sweaty palm into their hand.

DON’T wear cologne or perfume. If they meet you and are instantly over-taken by your intense aroma, then your audition is going to drop downhill very quickly.

AMP Talent Group Audition Tips Do's and Dont'sDON’T wear heavy make-up. You’re there to show off your natural self as a performer and what you can do with whatever character you’re auditioning for. Too much make-up will just distract from your performance and focus the casting director’s attention on all the wrong things.

DON’T wear self-tanner. So you just got back from a vacation in Mexico and have a bit of colour. That does not mean you can compensate your skin by applying bronzer you bought at the drug store. You’ll end up orange and won’t book the part.

DON’T bring props or wear costume unless directed to by your agent. Sure you may think you’re taking your audition to the next level by going crazy with your outfit, but actually, it’s the opposite. Never bring a costume for your audition unless it’s something that was strictly outlined in the breakdown from your agent.

DON’T apologize for messing up your audition, or apologize for nailing it, thinking that you did poorly. Just perform your audition, say your thank yous, and be gone. Do not continue to beat a dead horse by apologizing all your way out the door.

Al Pacino on Auditions quoteDON’T disagree or argue with any direction that you’re given. You’re there performing something for them, so make sure you do what you’re asked.

DON’T bad mouth anyone. Of course after enough auditions, you will start to see the same casting directors again and again, and build up a bit of a rapport. This does not mean that you should ever start to gossip about someone else in the business that you may have a mutual disliking for. You should always be professional and business as usual.

DON’T ask the casting director for feedback.  Feedback comes from acting classes, not auditions.  Work with a coach prior to your audition and ask them for feedback.  Come prepared with the material ready to give your best performance and don’t expect to get anything but a “Thank you for coming in” at the end. If you get more your lucky, but do not expect it.  The casting director is looking to hire the best actor for the parts she or he is casting. It is not the casting directors job to give feedback to all the actors at auditions. It is the job of the actor to come in prepared with all the emotion ready to give the best performance.

DON’T overstay your welcome. So you killed your audition, the endorphins and energy is running full-throttle and you instantly want to be chatty, try not to. Just finish with your performance, share a final word or two, and then thank them for taking the time to see you, and off you go. No casting director is going to want to deal with a over-chatty actor at the end of a seriously long day of auditions.

Auditioning can become a very simple, and smooth running machine once you do enough of them and nail down the right way to go about it. There are just some important rules that you have to follow to make sure that you don’t stand out in a bad way. These do’s and don’t are simple guidelines for you to keep in mind the next time you step into the room in hopes of booking your next job!

Remember your auditioning for your career, not the job.  Meaning that you do your best with each audition, come prepared, are on time, are well rehearsed, memorized, in character and ready to perform a killer performance!

Break a leg!

 

10 Personality Characteristics That Make Great Actors


What personal characteristics help make GREAT ACTORS? This is probably a question that will intrigue a lot of people. What is it about certain people who make them great performers?  Or at least have the potential to be a great performer.  I know this question intrigues many of you, so I did some reading to […]

What personal characteristics help make GREAT ACTORS?

This is probably a question that will intrigue a lot of people. What is it about certain people who make them great performers?  Or at least have the potential to be a great performer.  I know this question intrigues many of you, so I did some reading to investigate what qualities/personality types really translate into great performers.

Charisma: This is one of those real surface qualities that you would expect. Obviously a performer is going to be charming, expressive, and charismatic, right?  They’re those real life-of-the-party type personalities that you aren’t surprised to hear they’re actors as well.  This is because performing on stage, or on camera, requires a certain amount of expressive energy, so those individuals with high-octanes of energy and the ability to translate that energy on-screen should go without saying. While not every actor is going to be the most charismatic personality type in their actual life, having a natural charisma to you will always benefit and help you with your performing endeavours.

No-Limits-Inspirational-Picture-QuoteHard Work & Commitment:  This is another trait that should go without saying.  Lazy people usually don’t make great actors — unless they’re so naturally talented and it comes easy to them. This is the case because acting is such a self-starter business and is going to require so much self-motivation, as well as endless amounts of your personal time in order to be successful. Also, with every job you get, you’re going to have to generously research for your role/character, as well as put in hours and hours of rehearsal time.  Then once you start working on the job, the days are long and you’ll be drained at the end of them. If you don’t have the type of personality that is ready to grind and endure hard work, you will go nowhere. Commitment is also a huge one. You will have to commit your life to developing your craft, as well as bringing 100% percent of yourself to each role you play. Acting requires you to be present in the moment at every turn, which can be mentally, physically, and emotionally exhausting.  People that can whole-heatedly commit themselves to something, even going overboard and becoming obsessive with their commitment, are the ones who will be successful as actors. (Just look at some of the greatest method actors in the business, as well as the great extremes that the best actors will go to in order to prepare for roles: weight loss, muscle-building, extensive research and character development, real-life situational training).

FullSizeRenderConfidence:  This personality trait is another common one.  It will help in a lot of areas in your performance career, particularly in the early stages of auditioning, as well as warding off criticism and rejection when times get tough.  Understanding who you are as a person and being confident in who that is will serve you well in the business.  You will be required to expose many facets of yourself (emotional, mental, and even sometimes physical) in front of people, so being confident in yourself and being able to surge into those vulnerable places without shriveling into a ball of anxiety is a huge component of an actor’s makeup.  Thankfully confidence is something that can be improved on. The better you get at your craft, the more confident you’re going to get in your abilities and the less self-conscious you will be.  They famously say, “tension is blocked talent”, and often anxiety and nerves will come from a lack of self-confidence and dread that you’re going to be horrible. Those nerves will lessen with practice and working on your craft, eventually leading to performances that come across brilliantly, with absolute ease.  So finding a way to be confident in your self, as well as your skills as an actor is absolutely paramount.

Intelligence:  If you listen to actors in interviews, you’re often blow away by how articulate and well spoken they are. They are smart and educated most of the time. But a good majority of actors out there are college drop-outs, that never even went to college, and a chunk of them never even finished high school.  How come they seem so smart then? Well it’s for a couple of reasons. Firstly, their job requires them to do a ridiculous amount of reading and research on a wide-variety of topics that become school projects in their own way. So they’re well read and well schooled on important issues happening in the world because it often relates to the work they’re doing.  Secondly, they’re actually really smart people. You have to be very smart to be a good actor.  But often it’s the type of smart that doesn’t excel within confined institutions like high school and university or college.  It’s the type of intelligence that you could define as emotional intelligence, self-awareness, or a real adept understanding and insight into human behaviour and what drives people.  That’s because actors are constantly asking themselves these questions: what drives this character? What are their needs?  What are their desires?  Why do they act this way?  It’s a constant evaluating and breaking down of the human psyche, which requires a large degree of intelligence. It’s just a very real-life understanding of human behaviour.  So if you don’t find people fascinating, to the point that people watching is one of your favourite past-times and you’re feverously curious about all types of people, then the acting process may not be for you.

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Highly Imaginative:  This is obviously one of the biggest and most important traits that make great actors.  Sure there is a large component of acting that will require you to take emotion and realities from your own life into your acting world, but you won’t always have those resources at your disposal.  Sometimes you have to completely plant yourself in alternate realities that encompass absolutely nothing from the world you know. This is where your imagination will take over.  Most actors have wild and vivid imaginations, and have a real fostered connection with their imaginations. We basically are trained to grow out of our imaginations as we grow up, which is why most actors are adult-children — never really leaving the psyche of that 10-year-old boy inside of them who would dress up as superheroes and saw the world as full of infinite possibilities.  It’s crucial that actors are constantly finding ways to improve and get more in touch with their imaginations, as it’s a huge tool in your career. From the early stages of developing your character, as well as planting yourself in an authentic reality when you have several cameras, crew, and a very artificial world surrounding you on set. Harness the connection to your imagination and work on improving it whenever possible.  It’s one of the useful tools for great performances.

Understanding of Human Behaviour:  This section relates directly with intelligence, as this is where the actor’s intelligence will shine.  The best actors have an exceptional understanding of human behaviour – what people want and need, universally, on the deepest level.  This is what every single role they tackle will require from them — the ability to dig deep into the psyche behind their character and figure out their motives, which will determine their behaviour.  They have the ability to read between the lines of scripts and offer their own insight into the world of their character and bring assets to the script that weren’t there before.  This understanding of human behaviour, I believe, is something that the best actors will have naturally, but it’s also something they strengthen by continuous exercise.  Every actor should have a completely engrossed interest in people and the way the act.  The job of an actor is to emulate people who aren’t themselves, so it should go without saying that they love to observe people and watch what they do, and then try to figure out why they do the things they do.

193491Energy, Energy, Energy:  When you take an acting class, the beginning of the class is often dedicated to exercising the body — both physically with movement and vocally through voice exercises.  These exercises are designed to center the energy in your body and for you to be fully aware of where all the energy in your body is being stored.  Yes, actors are required to exert a lot of energy, thus it’s beneficial if they’re naturally energetic people. But that energy will be chaotic and counter-productive for a good performance if it’s not used in the correct way.  The best actors are exceptional at dispensing and controlling their energy. They know when to release bursts of energy, as well as when to bottle the energy up because their character is holding something back on the surface, but on the inside they’re exploding. So it’s so important that actors know how to move the energy in their body around to help guide and emphasis their performance.  Also, it’s important to note that not all energy is going to be emotionally expressive.  They’re forms of energy that are not emotional, and it’s important that actors have a handle on all energy types.

QuoteIntrospective & Constantly Learning:  One of the most important relationships an actor will ever have is the one they have with their self.  It’s essential that actors are constantly learning about themselves and trying to understand more about who they are as a person.  They will also go to great lengths to improve who they are as a person and get more in touch with their authentic self.  This is necessary, as acting requires bringing a large amount of yourself to every character you play. You will to make the emotion in your performances feel authentic. If you don’t actually feel all the emotions and sensations that your character is going through, the camera or audience will pick up on it and it won’t be believable. The great actors are able to dig deep into themselves and pull out the good, bad, and ugly of who they are and put it on show for everyone to see. If you aren’t willing to live with that type of revelation and truth in front of audiences, then acting will be a tough job for you.  You can’t be afraid, or unwilling to go to the dark and emotional places of yourself and become a great actor.  Actors have to constantly be assessing themselves as people, trying to improve, as well as get closer to who they really are. Another way to get closer to this truth is by constant exercise through meditation, mentors, relaxation, visualization, and classes.

Eager to Explore:  Most actors life out of a suitcase and are constantly on the road. A lot of them are feel best in the characters they portray.  They’re whimsical spirits, with a yearning for a gypsy life.  This obviously relates to the lifestyle of an actor — constantly going from project to project, place to place, changing where they’re working and whom they’re working with all the time.  There’s absolutely no structure (unless you’re a regular on a show) and you’re constantly exploring, both a physical world and the emotional world you’re living in.  It’s definitely important that an actor has a natural tendency to be drawn to this type of life, as opposed to a very structured and matter-of-fact world where most people live that work the 9-to-5 routine. Going deeper into it, acting is a constant exploration and is going to require a real commitment to a journey by the actor.  You have to be prepared to take scenes in directions you weren’t expecting, or let things they’re feeling come across at unexpected moments. A lot of actors live within a very small bandwidth, but the best ones are completely free. They trust their instincts and enjoy the work the most when it turns out different from first expected. So the exploring nature of an actor is going to be both, tangible and intangible. This is must in the makeup of an actor!

quote-the-purpose-of-psychology-is-to-give-us-a-completely-different-idea-of-the-things-we-know-best-paul-valery-189345Interest in Psychology and Humanity: This is not to say that a psychologist would make a great actor, or that an actor would make a great psychologist. But having an interest in the subject will go a long way in improving your performance. Again, understanding the psychology of humans and what drives people is essential in the acting discovery. So those people who are very intuitive and able to quickly conceptualize other’s behaviour and why they do certain things, is a natural skill that very good actors should possess. This also could be why you see so many actor humanitarians (also because they have so much money) but they have such a vested interest in humanity that they’re passionate about world issues, and really empathize with human suffering.

It’s not that you have to possess every single one of these qualities to be a good actor, but it just seems that in the makeup of actors, often you’ll see, at least some, of these qualities, interests, and personality types. While a lot of these qualities are essential to great performing, they can be improved. Great acting happens when both the inner and outer self are portrayed at the same time (sometimes conflicting one another). So get in touch with yourself, reach deep into your emotions, and continue to discover more about yourself and more about your character in the process.

 

 

6 Tips To Ace A Cold Read Audition


Ahhh the dreaded cold read. It’s something that a lot of actors fear. That’s because usually there is no opportunity for preparation. A script is thrown in front of you moments before you’re to appear on camera, and panic can set in. You worry that you’re going to deliver the lines completely flat, you aren’t […]

Ahhh the dreaded cold read. It’s something that a lot of actors fear. That’s because usually there is no opportunity for preparation. A script is thrown in front of you moments before you’re to appear on camera, and panic can set in. You worry that you’re going to deliver the lines completely flat, you aren’t going to figure out what’s going on in the scene fast enough to deliver a satisfactory performance, and it’s just going to be painful and you’re going to be terrible. Yes it might not be the most comfortable thing you’ll have to do, but it’s a big part of the audition process and something that you’re going to have to get a handle on if you want to book acting jobs.

At AMP Talent Group, we want our clients and talent to excel in every opportunity so we recommend you keep these tips in mind to help you improve your cold reading skills for audition purposes, we’ve highlighted 6 important keys to cold read success:

Arrive early for your audition: Sometimes if you arrive early you will have the opportunity to read over the sides and begin your preparation early. This way you can at least be familiar with what you’re going to be saying and doing. If you are able to get the material beforehand, spend less time on the actual lines that you are going to be delivering, instead focus on the story and situation, as well as try and get a feel for the character that you’re going to be reading. This way you can at least ground yourself in the world of the scene and you won’t require quite as much attention on the actual words, so you can feel yourself as the character in that environment.

Research the project you’re auditioning for: Even if you know you’re going in to do a cold read audition, you can still go online and find out some details about the audition. You can also ask your agent to provide you with some more information if possible as well. You should find out the type of project that you’re going out for (commercial, feature film, TV show), as well as the time period of the piece, and what the story is. While you might not be able to find a ton of information on the project, you will definitely be able to get some background information that will at least put you ahead of most of the actors who will be walking into the audition blind.

Be Flexible: When you’re going through your cold read, it might not be blatantly clear from the outset if you’re reading a comedy or a drama. I mean, hopefully it is, but there is a possibility that you won’t get the tone of the script right away. This is why you need to enter into your reading with complete flexibility. Go in with the mindset that they might ask you to read the script in a certain way that you weren’t expecting, or maybe you’ll even discover things in the middle of the reading that take it to a whole different place than you expected. Considering that this will be one of the first times you’ve read through this passage of the script in its entirety, you definitely can’t be opposed to figuring out certain things from the inside. So be loose, flexible, and ready to go in any direction.

Take risks and do more than just read: Even though it’s a cold read, you don’t want to sit there like a pile of concrete and just read the lines in a voice that will put the people holding the audition to sleep. You still want to be lively, take action with your body, and use your voice as an instrument to get yourself into character and convey emotion. Even though it’s just a cold read, that doesn’t mean you can’t make strong choices and go with them. In fact, you will standout more at your audition if you make a decision and try something out. Even if it’s wacky, there are no wrong artistic choices during a cold read. You want to show them that you were able to read over the script, and in just a couple of quick minutes, be able to make a strong artistic decision and do something with the character that nobody else has done. They want to see how you interpret the script, just as much as they want to gage your actual performance.

Look up at the reader: Unless this is the first time you’ve ever acted or been to an audition before, you will know that you must always look up at the reader when you deliver the lines. You should never read directly from the page, but be following along with your finger and make sure that you use the person reading with you as a reference to get yourself into the moment and be authentic. Try and look up and connect with the reader as often as possible. Just be sure that you keep your thumb on the page and follow along so you don’t lose your place during the read. The people running the audition understand that the material is completely new to you; therefore they don’t expect the audition to be perfect. Also, taking your few minutes before the audition starts to get a good grasp of the scene, story, and your character is going to be hugely instrumental in allowing you to go with the scene and connect with the reader, instead of having your eyes married to the page the whole time.

Practice your cold reads: If you want to take it one step further and work on your cold reading skills, then you should practice reading passages and memorizing as many of the words, as quickly as you can. At least learn to memorize important points, or key phrases that you can use and rely on so that you don’t have to be looking down at the page every two seconds during your audition. By practicing this technique, you will slowly start to improve your ability to retain words and dialogue very quickly so that you can be that little bit more off book when it comes time for your audition. By working on your cold reading skills on your own time, you will be miles ahead of the competition when it comes to stepping up and delivering a great cold read performance.

Cold reading only has to be a painful experience if you make it one. You can decide to ignore it and just do your best on the day of the audition, or you can take matters into your own hands and prepare yourself so that when a cold read audition comes your way, you’re ready to attack it and destroy it. Casting directors are testing you when they give you a cold read; they want to see how you handle it and what you do with it. So make sure you do everything in your power to show them that cold reads don’t faze you, in fact you look forward to them.

Remember, audition for your career, not for the job and you will feel more confident about your performance!

 

 

What’s Being Filmed In Toronto This Summer


Lights, Camera, Summer! Summer 2014 is just around the corner and for most “normal folk” it means impromptu trips to cottage country, days of energy-drowning on patios with cold beverages, and basically trying to work as little as possible so you can enjoy the summer. But for those who call the film industry, “their industry”, […]

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Lights, Camera, Summer!

Summer 2014 is just around the corner and for most “normal folk” it means impromptu trips to cottage country, days of energy-drowning on patios with cold beverages, and basically trying to work as little as possible so you can enjoy the summer. But for those who call the film industry, “their industry”, it’s quite the opposite. Summer is a time when you strap on your working sandals and get ready to cram as much filming work as possible into your summer, until you’re working like a dog well into the dog days in August. Summer presents a great opportunity to finally film that passion project you’ve been yearning to do, or film that indie movie you’ve been trying to squeeze into your busy schedule. In short, there’s a lot being shot during the summer in Toronto.

So what’s being shot in our fair Canadian city this coming spring/summer? Obviously there’s a lot, but we’ve broken down a few of the highest profile projects to keep you in the loop.

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Pixels.

The movie will be bringing Adam Sandler, Kevin James, and Michelle Monaghan into our town for the summer months. Brought to you by Arcaders Productions Ltd. and directed by Christopher Columbus. Pixels tells you the story of what happens when aliens misinterpret video feeds of classic arcade games as a declaration of war against them. This begins a war against the human race, using the games as models for their various assaults. Filming will take place from May 28th – September 30th. So keep a look out this summer for the dynamic goof balls of Kevin James and Adam Sandler taking in a Jay’s game and maybe even throwing that all-important first pitch.

Regression.

Written and directed by Alejandro Amenabar, and starring Ethan Hawke and Emma Watson. Regression is about a man who is accused of abusing his daughter — a crime he doesn’t even remember committing. Sounds like it’s an intense thriller that should see Ethan Hawke and Emma Watson acting opposite one another in some very intense scenes. Filming is well underway, starting on April 15th and due to wrap on June 12th.

Crimson Peak.

Principal photography began back in February at Pinewood Studios, and filming began at the end of April in Hamilton, as well as in Kingston. The film is starring Mia Wasikawska, Charlie Hunnam, and Jessica Chastain, and is produced by Legendary Pictures. The film is supposed to take place in Cumbria, a crumbling mansion in a largely rural and mountainous region of Northern England in the 19th century. A young author (Wasikawska) discovers that her charming new husband is not who he appears to be. Photos from the Hamilton set this spring have already been released all over the Internet. Filming is due to run into the summer here in Toronto.

October Gale.

Written and directed by Ruba Nadda, and starring Tim Roth, Scott Speedman, and Patricia Clarkson. October Gale is a thriller about a doctor who takes in a wounded victim that washes ashore at her cottage. Quickly they realize that the killer is there to try and finish the job, just as a storm draws in. Sounds like something to be shot on Toronto Island, doesn’t it? Filming started on April 21st and wraps up on May 25th.

The summer months are also a very busy time for TV shows to shoot in order to get prepared for fall premieres. This summer keep a look out all over the city, as Suits will be filming Season 4 from April 7th – November 7th. Lost Girl will be filming their fifth season from April 7th – August 17th. Also filming their fifth seasons will be Covert Affairs from March 31st – September 19th and Rookie Blue finishes shooting on June 9th. Then the ever-so-popular Canadian sitcom, Degassi, will be filming their 14th season from April 22nd – October 1st.

So that means there will be opportunities for actors to audition for roles on one of these productions, or simply, just catch sight of a star or a film set in the middle of action.

It’s an exciting time. The entertainment industry is bursting with projects on the go and it’s a great time be working on set. Which is all in the lead up to TIFF in September!

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5 Key Tips for Actors To Always Remember When Auditioning


So now the day has arrived. It’s the day of your audition. Like is the case with most actors, you’ll wake up with that butterfly feeling fluttering in your stomach. You’ll go through the motions of your day with that tingling anticipation and excitement. Today it’s your time to shine! Today could be the day […]

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So now the day has arrived. It’s the day of your audition. Like is the case with most actors, you’ll wake up with that butterfly feeling fluttering in your stomach. You’ll go through the motions of your day with that tingling anticipation and excitement. Today it’s your time to shine! Today could be the day it all changes. But only if you come through, maintain your composure, and stick with the game plan.

Off to the audition you go, making the walk, or the drive, with that old familiar theme running through your head: “Is this going to be my moment?” Everything seems to be moving in slow motion and the world grows quiet, as if it senses that today is extra important to you. Hopefully you’ve done everything in your power to prepare, and it’s now up to the acting gods to guide you, to lead you through a brilliant audition, and hopefully onto that role you’ve been waiting for.

So what are some of the most important things to have in mind when you’re in the audition room? It can be a scary place, so to make sure everything goes well, we’ve outlined five things for you to always remember when auditioning!

You’re the one driving the story: One of the basic differences between a performance in an audition and a performance on an actual set is you’re the number one story driver during an audition. All the focus is on you. The casting directors are less focused on the complete story, and are more so focused on how you can drive their story. On a set you’re a small piece in a greater story, but when it’s your time to audition, you’re up there showing them why they should cast you. So during auditions the performances are a little bigger than on a set, because you really want to make an impact. Show them that they can base a story around you, and that they should base a story around you.

Who/What/When/Where/Why: Always remember your five W’s. Even if you get your sides ten minutes before you’re due to audition. Always know who you are in the scene with, what you’re doing in the scene, when the scene is happening, where the scene is happening, and why this circumstance or situation is happening. It’s essential so that even if you don’t have the lines completely memorized, you’ll at least be able to ground yourself in the scene.

The Golden Frame: During an audition, you have your mark and you have very little leeway to move from that mark. This makes it essential that you’re as still as possible when you’re doing your audition. If you plan on performing an action or stepping out of frame at all, make sure you tell them beforehand so they’re prepared for it. If you tell them a particular action you’re going to perform at a certain moment in the scene, it shows that you’re confident, have done your homework, and know what you want to do with the scene. Just always be weary of that frame in which your audition is being captured.

If you screw up, just keep going: The absolute worst thing you can do during your audition is mess up a line and start to lose your cool and drop out of the scene. If you mess a line up, just forget about it and keep going. Even better, you can use your own mistake and use it to add something to the scene. By doing that, you’ll impress them on your ability to improvise and redeem yourself. It could be a simple moment like that, which helps you book the role. Messing up is a scary thought, but what’s worse than screwing up is acknowledging yourself that you screwed up. Just move on and pretend like that was what you intended to do all along.

Be polite, be yourself and show off your personality: Those first few minutes when you walk into the room, before you begin your audition as you’re running through your slate, is your time. By this we mean, it is your time to show off who you are as a person. So make sure you’re enthusiastic, friendly, polite, confident, and the type of person they would want to work with. You can be funny, charming and endearing, which is only going to bode well for you when it comes time to choosing callbacks, and eventually casting. Also be sure to thank them for seeing you when your audition is finished, and then exit the room promptly and be on your way.

It goes without saying, but it’s important to be off book whenever possible. Of course there are situations where you get your sides minutes beforehand or the sides are very lengthy and it can’t be expected. But if you’ve been given adequate time to prepare the material, make sure you’re off book and ready to rock. Actors can bring the sides into the audition but it is important that the actors stay focused on the person opposite them in the scene not buried with their head in the script. Most importantly always listen to your instincts. If you have an idea in audition, let yourself be free to go with it.

The audition room can be a scary place to many actors who aren’t used to it. But that antagonizing fear of auditioning can be overcome with practice, practice, and more practice. The only way you’re going to overcome the nerves and the fear of failing in a miserable fashion is by doing it a lot. Going out there, making mistakes, learning from them and overcoming it and redeeming yourself. So start right now and improve your auditions. This list we put together is a pretty good guideline to start with. Eventually, you’ll get so comfortable with auditioning that you’ll start booking things regularly with a completely carefree Sunday walk-in-the-park attitude.

Now go off, step into that audition room, hit your mark and book it!

National Geographic NAT GEO TV Series Auditions!


CASTING FOR NEW NATIONAL GEOGRAPHIC KIDS WEBSERIES Calling all teens (and those who look like teens) between the ages of 16-25yrs. We are casting for a cool new reality/game show for National Geographic Kids. You must be a BIG outgoing personality, loveably crazy, super fun, funny, over-the top, fit, energetic, quick witted – we mean […]

CASTING FOR NEW NATIONAL GEOGRAPHIC
KIDS WEBSERIES

Calling all teens (and those who look like teens) between the ages of 16-25yrs. We are casting for a cool new reality/game show for National Geographic Kids. You must be a BIG outgoing personality, loveably crazy, super fun, funny, over-the top, fit, energetic, quick witted – we mean really quick witted, and did we say funny! Oh and on this show you have to be totally comfortable going up to strangers and asking them questions.

If you think you are right for our cast then SEND US A VIDEO!

VIDEO GUIDELINES: Do a quick video using your phone or camera – have a friend hold the phone or camera so we can see you. Make sure to speak clearly and not too fast and that you are ‘on camera’ and not somewhere off to the side.

To get the VIDEO SCRIPT: email info@amptalent.com

*Your total video should be no longer than 4 minutes.

SUBMISSION DEADLINE: 12 Noon. May 30th, 2014

Good luck!

National_Geographic_Audition_Casting_AMP_Talent

Watch for AMP Talent Group on YTV’s The Next Star Supergroups!


Watch for AMP Talent Group  agencies amazing 12 #teen #singers #talent on #TheNextStar #Supergroups #TVSeries! Airing in 2014, congratulations to #AMPTalent, Rachel Cossmann, Nadia Blackwood, Brad Baeza, Emily Kaldis, Cassandra Tari, Camryn Patterson, Isabella Repole, Odain Bailey, Michael Skidmore, Naiya VanEvery, Courtney Cameron and Quin Hasinhindl! The Next Star is launching a spin-off show, entitled, The Next Star: SuperGroups.  […]

The_Next_Star_TV_AMP_Talent_Group_Toronto_Talent_Agency 3

Watch for AMP Talent Group  agencies amazing 12 #teen #singers #talent on #TheNextStar #Supergroups #TVSeries! Airing in 2014, congratulations to #AMPTalent, Rachel Cossmann, Nadia Blackwood, Brad Baeza, Emily Kaldis, Cassandra Tari, Camryn Patterson, Isabella Repole, Odain Bailey, Michael Skidmore, Naiya VanEvery, Courtney Cameron and Quin Hasinhindl! The Next Star is launching a spin-off show, entitled, The Next Star: SuperGroupsThe Next Star is a Canadian reality television show on YTV. The show is a competition to find the most talented singer in Canada who is under 15 years of age to win and become “the next star”. Toronto’s Tricon Films & Television and Corus-owned YTV have teamed up for a supergroup-focused The Next Star competition series. The Next Star: SuperGroup will also feature coaches and industry experts like music producer Damon Sharpe, recording artist Cory Lee (Degrassi: The Next Generation, Instant Star), So You Can Dance Canada winner Nico Archambault, vocal coach Sarah Morrison, make-up artist Vanessa Jarman and stylist Corey Ng. The Next Star Supergroups series will be launched in spring 2014 in Canada on YTV. Watch for it! Be sure to follow our Blog and AMP on twitter for all the latest talent, audition, casting, filming and entertainment news! www.twitter.com/amptalentgroup

Audition advice: Tips for Actors Models from Talent Agent Anne Marie Perrault


Audition Advice for Actors Models & Talent! In this post, top 5 tips to help you ace your next audition! Here is key advice and tips for actors and models when meeting a talent agent from long time Talent Agent Anne Marie Perrault of AMP Talent Group. At AMP Talent Group we want you, our talent to view […]

Audition Advice for Actors Models & Talent! In this post, top 5 tips to help you ace your next audition! Here is key advice and tips for actors and models when meeting a talent agent from long time Talent Agent Anne Marie Perrault of AMP Talent Group. At AMP Talent Group we want you, our talent to view every audition as an opportunity to showcase your very best work. Each audition is an opportunity to be seen by casting directors, producers, directors and clients. Even if you think you are not perfect for the role, it is still an opportunity to be seen! Casting work on many projects at once and are looking at you for all their projects. When attending audition, always have your 8×10 professional headshot and resume in your hand and be ready to go when you are called for each audition. Even when you don’t think they need one, you should still be prepared with one. This is your marketing tool! It shows you are serious about your work and are the professional. Unless you are a name actor, always bring your resume and headshot to every meeting and audition. When the door opens, be ready! Break a leg! For more insightful tips follow AMP on Twitter and subscribe to our channel on YouTube!

10 Audition Tips for Actors


10 Audition Tips for Actors Here are 10 audition tips to ace your audition and help you get the acting roles you want: Always bring a picture and resume. Don’t expect your agent to send it over. You’re the one that won’t be remembered if you don’t have one to give to casting at the audition. Staple your […]

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10 Audition Tips for Actors

Here are 10 audition tips to ace your audition and help you get the acting roles you want:

  1. Always bring a picture and resume. Don’t expect your agent to send it over. You’re the one that won’t be remembered if you don’t have one to give to casting at the audition. Staple your headshot and resume together with the photo and resume facing out. It is a good idea to bring 2-3 copies to audition callbacks as there are may be many decision makers in the room who request a photo and resume from you. Best to be prepared.
  2. Make your first 20 seconds count. When you meet someone for the first time, do you make a lot of suppositions? So do producers, directors and casting directors.  Be on time, smile and greet the people in the room by name (when you know them), say your name, introduce yourself. Look your best by dressing appropriately in clothes that flatter you. Women should be fresh light make up, hair styled, men clean shaven and neat. Talent should never be late for an audition appointment. Being punctual is important for casting directors who are considering you for the job as it is an indication to how your behavior will be on set.
  3. Do your best and don’t make excuses. Casting directors don’t want to hear about your cold or the reasons why you are running late, or that your printer is broken. Always be professional.
  4. When you are given sides always memorize them. If you have not, it is OK to hold the script and read from it. Better to read from the sides then to make it up as you go (and the writer may be present in the room). Stick to the script.
  5. If you are given direction at an audition and are asked to make a choice, make one. When actors are asked at auditions to make a choice don’t reply, “What do YOU want?” Actors need to make clear strong choices when developing characters. Show confidence in the choices you make.
  6. Don’t ask to start over.  When you make a mistake in your read, fight through it.  You may be asked to do another take, but fight through the first one and don’t apologize. Stay in character.
  7. Be comfortable, charismatic and confident. Successful people are self assured and confident. Actors and actresses who make it in this industry work hard to be noticed. You have to be the most interesting person to capture and keep our attentions. Be that someone that producers, directors and casting directors want to get to know.  If you are naturally this way as yourself, you’ll also be able to do that in a character.
  8. Make sure your Agents contact information is on your resume. And keep your resume up to date and to one page.
  9. Don’t take the last audition times of the day. After a long day of casting, the casting people are tired and ready to go home. Often times, the early actor gets the part. And, you don’t have the rest of the day of actors to be compared to.
  10. Audition as much and as often as you can. The best way to master auditioning is like anything else. Repetition. Again and again. Don’t let nerves hold you back. You will overcome anxiety by doing it over and over, and deliver a stronger audition each time.  Let your personality shine through and remember!

 

Catch AMP Talent on The Next Step Dance Show on the Family Channel!


Be sure to watch: The Next Step Dance show on Family Channel! See AMP Talent dancers, actors, Joshua Doig and Steven Nguyen along with the A-Troupe dancers prepare for the regional dance competition, relationships and loyalties are put to the test at the Next Step studio! Tune in to watch each new episode Friday nights […]

Be sure to watch: The Next Step Dance show on Family Channel! See AMP Talent dancers, actors, Joshua Doig and Steven Nguyen along with the A-Troupe dancers prepare for the regional dance competition, relationships and loyalties are put to the test at the Next Step studio! Tune in to watch each new episode Friday nights at 7:00 pm in Canada on The Family Channel!

AMP Talent Group Joshua Doig

AMP Talent Group Actor/Dancer Joshua Doig

AMP Talent Group

AMP Talent Group Dancer/Actor Steven Nguyen